Friday, December 31, 2010

CBR Review: What If? #200

I recently reviewed What If? #200 for CBR and, in the process, wrote the following sentences: "The lead story poses the question 'What if Norman Osborn had won the siege of Asgard?' and bases his victory around Ares being killed before the attack because of his reluctance to support Osborn’s plans. With the Sentry not as weakened from his fight with the god of war, he isn’t as easily opposed by the heroes or mentally weakened enough to be killed. The Sentry hands Osborn his victory and the heroes that defeated Osborn soon find themselves dead. From there, it falls to Osborn’s former allies in the Cabal to try and stop him. Guggenheim follows the logic of the Sentry as unstoppable to its logical conclusion and delivers a fittingly grim story."

You can read the rest HERE!

Thursday, December 30, 2010

Sketch Reviews (December 30 2010)

A day behind... but good holidays. Though, for me, not really any holidays since wrestling and comics never stop. They never stop. So, we'll keep things brief...

Avengers #8: A necessary issue, but one that felt empty in many ways. It sets up next issue where the Illuminati stand revealed, but as a comic on its own, it doesn't hold up as much. [**3/4]

Captain America #613: This storyarc continues to hum along at a nice pace with action and intrigue. Really digging the art. Some very cool-looking pages here. [****]

Detective Comics #872: Good character work. Not sure I care that much about the Black Mirror yet, but the ending was creepy and has me wanting to see what happens next. Curious to see how the two stories connect. Digging the Francavilla art more than Jock's. [****]

Incognito: Bad Influences #2: This issue was an improvement over the first. The plot is heading in a direction that interests me. Zack Overkill not accepted in either world. Doesn't quite feel like the retread of the first series like the first issue was. [***3/4]

Scalped #44: Lucking into a win... what's funny is that before Nitz went to the casino, I was thinking about how he would and how it would go, which was pretty much how it went down. Another great character-based issue. I do love this comic. [****1/4]

Ultimate Comics Thor #3: Shit goes down. It's quick and brutal, especially the murder of Balder. Curious to see what this series will look like as a whole. [***1/4]

Later

Wednesday, December 29, 2010

CBR Review: Red: Eyes Only #1

I recently reviewed Red: Eyes Only #1 for CBR and, in the process, wrote the following sentences: "It’s hard to know what to expect when an artist writes and draws a sequel or prequel to a comic he originally drew, especially when the writer of the original was Warren Ellis. Will the writing stand up to the original or will it come off as a lame vanity project? Thankfully, Red: Eyes Only manages to fit perfectly with the original series, showing that Hamner can not only capture the cynicism and nastiness of Ellis’ voice, but also the tender humanity that’s always there just below the surface. More than that, with colorist Val Staples, Hamner’s art has never looked better. He has written and drawn his best comic to date with Eyes Only."

You can read the rest HERE!

Saturday, December 25, 2010

The Splash Page Podcast Special Guest Episode 04

Merry Christmas, everyone! Today, we've got a special holiday treat for everyone: over four hours of Sean Witzke and I talking comics, music, movies, TV, and whatever else. There's some end of the year talk, some best of the year talk, something about Wonder Woman, and tons of jumping topics. And, it all begins with a special different bit of intro music.

You can download and listen to the Splash Page Podcast special guest episode 04 HERE!

Thursday, December 23, 2010

CBR Review: What If? Dark Reign #1

I recently reviewed What If? Dark Reign #1 for CBR and, in the process, wrote the following sentences: "One of the more enjoyable parts of the Marvel’s yearly What If? issues are the issues exploring the previous events or status quos, showing what could have happened if something changed. This year, Marvel has left those two issues until the end of the month with one focusing on Dark Reign this week and Siege next week. For the Dark Reign issue, the major difference rests on Clint Barton succeeding in killing Norman Osborn and the ramifications of that act. Disappointingly, the ramifications are barely shown in a large sense and Barton’s story is wrapped up via interference from an entirely new character that acts as little more than a poor attempt at mocking those on the right of the political spectrum."

You can read the rest HERE!

CBR Review: Thor: Wolves of the North #1

I recently reviewed Thor: Wolves of the North #1 for CBR and, in the process, wrote the following sentences: "It’s another Thor comic, just in time to help finish out 2010. This one-shot functions in a similar way to an annual, delivering a story that isn’t essential, but is enjoyable enough. Focusing on a time where Thor helped a Viking village rid itself of the threat of Hela’s demon army, Wolves of the North has action and a little intrigued plus some stunning art by Mike Perkins and Dan Brown."

You can read the rest HERE!

CBR Review: Superman/Batman #79

I recently reviewed Superman/Batman #79 for CBR and, in the process, wrote the following sentences: "It’s the return of the DC One Million versions of Superman and Batman (and Robin), versions of the heroes that I’m always surprised aren’t used more, neither appearing since the Hourman series that spun out of DC One Million and Grant Morrison’s run on JLA (unless you count Kal Kent showing up in All-Star Superman). You wouldn’t want to overuse the characters, but they haven’t been used at all, so Chris Roberson dusting them off for the first of a two-part story in Superman/Batman is a bit of a treat. And by pitting them against Epoch, the Lord of Time, they’re given a challenge that may be a little too much."

You can read the rest HERE!

Wednesday, December 22, 2010

CBR Review: Batman, Inc. #2

I recently reviewed Batman, Inc. #2 for CBR and, in the process, wrote the following sentences: "Picking up where the first issue left off, Batman, Inc. #2 is just as fast-paced and energetic as the debut. With his chosen recruit for the position of Batman of Japan dead, Batman finds himself tasked with the job of stopping Lord Death Man from killing more people as Mr. Unknown’s replacement/protégé tries to prove himself worthy of taking up the mantle of the Bat. Plus, Catwoman has her own agenda as always and I’m betting it involves something shiny. This issue is a highly entertaining romp with good guys being good guys and a villain that luxuriates in villainy. Batman, Inc. is just flat-out good comics."

You can read the rest HERE!

Sketch Reviews (December 22 2010)

The guy at my shop remarked that it was a small week for me: six books. To be fair, I was planning to get eight, but the shop had no rack copies of Thunderstrike #2 and Wildcats #30. Those were for reviewing purposes, so I'm not too upset. So, with four books getting reviewed, that's only two purchased for reading purposes only... except, oh wait, one is X-Files/30 Days of Night #6, which I've been buying for Michelle. Ha. So, expect less than normal. And go read my review of III/IV by Ryan Adams & the Cardinals over at 411mania.

Secret Avengers #8: Last issue, they forgot to include any creators credits and they've done it again this issue. I'll rip off Graeme and say that, like the Avengers, the creators are secret. Really, it's the standard team of Brubaker, Deodato, and Beredo. It's a fine issue. The art has a sketchier quality and the colouring is a little overpowering. We're not in the territory of the Deodato/Beredo dynamic that happened near the end of Dark Avengers, but it's getting close. I'm really intrigued by what will happen when we get more about the Shadow Council. Good action superhero comic. [***1/4]

X-Files/30 Days of Night #6: I can't muster up the energy to care anymore. That's not a knock on the comic really. Michelle is really enjoying the series and that's all that matters to me. [N/R]

Later

Monday, December 20, 2010

CBR Review: The Unwritten #20

I recently reviewed The Unwritten #20 for CBR and, in the process, wrote the following sentences: "The Unwritten is often at its best when it’s engaging with literature or literary figures directly. The issue about Rudyard Kipling and the discussion of Frankenstein in the early issues were some of the comic’s more interesting and thoughtful parts. With this story arc focusing on Herman Melville’s Moby-Dick, it seemed like after a few stories focusing on the characters and the larger plot, which were enjoyable, that the book was returning to some literary discussion for an arc. Well, the literature geek in me has been a little disappointed so far, but this issue does show some promise towards the end where Tom Taylor enters into Moby-Dick."

You can read the rest HERE!

CBR Review: Loki #2

I recently reviewed Loki #2 for CBR and, in the process, wrote the following sentences: "How many times have we seen Loki kill Balder, either directly or through someone else? There’s an interesting tie-in to the mythological roots of Thor and the Aesir when Marvel tells and retells the same stories from different perspectives, in different ways, but it’s also tedious. Loki brings about Ragnarök by killing Balder. That’s the way it happens and, in the past few years, it seems to have happened a lot. In fact, at least two current mini-series for Marvel have plots rooted in that act, including, unsurprisingly, Loki, where, in the second issue, he kills Balder. Why? Because he’s Loki and that’s what Loki does."

You can read the rest HERE!

Sunday, December 19, 2010

CBR Review: Thunderbolts #151

I recently reviewed Thunderbolts #151 for CBR and, in the process, wrote the following sentences: "A member of the group for over two iterations, the Ghost has been a central player in Thunderbolts and even showed up in Invincible Iron Man, but he’s always remained something of an enigma.I’ve never questioned that approach, since the character’s creepy exterior worked better knowing as little as possible about what lies beneath. With characters like this, there’s always the danger that too much information will spoil the mystique and take away some of the appeal. That doesn’t deter Jeff Parker and Kev Walker in Thunderbolts #151, where they have the Ghost tell his story to Moonstone and it serves to enhance the character, for the most part."

You can read the rest HERE!

Thursday, December 16, 2010

CBR Review: What If? Spider-Man #1

I recently reviewed What If? Spider-Man #1 for CBR and, in the process, wrote the following sentences: "There are certain stories in comics that everyone needs to recognize as antiquated and more than just a little stupid. One that always bugs me is the ‘superhero kills someone and just. Cannot. STOP!’ story. That story is a lazy, overly simplistic attempt at a morality play that doesn’t actually say anything worth saying. It’s treating killing like potato chips: you can’t stop at just one! It argues that there’s an innate psychopath within the hero that’s kept in check simply by the good grace that he hasn’t killed someone in self-defense and then realized, much to his shock, he enjoyed it. More than enjoying it, he must do it again to satisfy that hunger deep down inside, because, screw you all, killing must done en masse from now on! That’s pretty much all What If? Spider-Man #1 is about. Been there, hated it then."

You can read the rest HERE!

Wednesday, December 15, 2010

Sketch Reviews (December 15 2010)

Oddly mixed couple of days. Having the toughest time finding a copy of the new Ryan Adams album III/IV after my Amazon.ca pre-order was delayed. Normally, I'd wait it out, but, in the same order was a gift for Michelle for Christmas, so I wasn't inclined to wait and hope it would arrive by Monday (when we're doing our Christmas stuff as she leaves town on Tuesday morning and I remain in town until the morning of the 27th since I have to work on the 26th). Stopped at a record store on the way back from getting comics, but they didn't have a copy. I did pick up the "Rowdy" Roddy Piper and Ricky "The Dragon" Steamboat 3-disc DVD sets for $12 each, though. Stopped by another comics shop to see if they had anything good and the new books weren't out yet... and they had no Hellblazer trades. None. Fuck that noise. So, tonight, Michelle and I may hit a few stores to see if I can find the album... otherwise, Dr. Disc said they may have copies on Friday. I'm just annoyed at Amazon.ca since I pre-ordered it over two weeks ago and that seems like plenty of time to ensure that I would get a copy on the day it comes out. Apparently not. Ah well. Comics.

The Boys: Highland Laddie #5: Oh come on, Ennis, just get them back together, you bastard! [***1/4]

Deadpool MAX #3: Hahahahahahahahahahahahahahahahahahahahahahaha! Racists are stupid. And, goddamn, Kyle Baker is killing it on this book. The opening pages are a stunning use of juxtaposition between text and images as Baker runs through a variety of styles, drawing upon pictures and other art, fitting it all into a coherent visual presentation. Yes, I like this comic. [****]

Later

Tuesday, December 14, 2010

CBR Review: First Wave #5

I recently reviewed First Wave #5 for CBR and, in the process, wrote the following sentences: "It’s difficult to retain enthusiasm for a comic that’s plagued by schedule difficulties and has that lateness also show in the final product. As this series has progressed, Rags Morales’ art has progressively, inch by inch, little by little, become rougher and less what it looked like at the beginning of the series. So far, the drop in quality hasn’t hurt the comic too much, but, in this issue, it’s very noticeable and, coupled with the weakest script of the series thus far, First Wave #5 is the low point in what was meant to be the center of the launch of this pulp-oriented line for DC."

You can read the rest HERE!

Monday, December 13, 2010

CBR Review: Thor the Mighty Avenger #7

I recently reviewed Thor the Mighty Avenger #7 for CBR and, in the process, wrote the following sentences: "'One more to go after this.' That is the thought that I couldn’t help but have when I finished Thor the Mighty Avenger #7. 'One more to go after this.' It’s the wrong thought to have when finishing a comic like this. The more fitting thought is 'That was a pretty great comic,' and to enjoy that sensation a little bit before reflecting on the cancellation of the series. Look on the bright side and all that, because it’s hard not to when you’re dealing with Thor the Mighty Avenger, an upbeat, enthusiastic, joyful, touching, and entertaining comic that’s one part action series and one part sitcom."

You can read the rest HERE!

Sunday, December 12, 2010

CBR Review: T.H.U.N.D.E.R. Agents #2

I recently reviewed T.H.U.N.D.E.R. Agents #2 for CBR and, in the process, wrote the following sentences: "After an impressive debut issue, T.H.U.N.D.E.R. Agents #2 begins to introduce us to the new team of superpowered agents, beginning with the new Lightning, a disgraced Kenyan runner. Joining Nick Spencer and CAFU is ChrisCross for the scenes showing us the new Lightning’s past and what led him to accepting an offer where he’ll get superpowers, put his life in danger, and still wind up dead inside of a year no matter what. At the same time, we learn more about the people behind the scenes, Colleen and Toby, as they rebuild the team and prepare an assault on Spider."

You can read the rest HERE!

Saturday, December 11, 2010

The Splash Page Podcast Episode 38 (aka the Joe Casey Episode!)

In this week's episode, we have a special treat as the one and only Joe Casey joins us. After many technical difficulties, we got things recording and proceeded to talk at length about many, many topics. Hopefully, we don't talk over one another too much. Among the things discussed: Intros, Butcher Baker, writing corporate characters, Adventures of Superman, Uncanny X-Men, Final Crisis Aftermath: Dance, the craft, the internet and the audience, writing mini-series for Marvel and DC as ongoings, compression/decompression, the work and the reader, Gødland and sticking the ending, frustrations from cancellations, Wildstorm, blowback from interviews, passion for comics, comics vs. TV, actual talk about Butcher Baker, writing about comics, Dreadstar, more writing about comics but in a different way, classic comics, current comics, recapturing old comics, comics Casey is digging right now, too much talk about Doc Savage, Joe Casey thinks this podcast is too long, and one final teaser for an upcoming work. And it all begins, as usual, with "We're Hardcore" by Gord Downie!

You can download and listen to the Splash Page Podcast episode 38 (aka the Joe Casey Episode) HERE!

Friday, December 10, 2010

CBR Review: Halcyon #2

I recently reviewed Halcyon #2 for CBR and, in the process, wrote the following sentences: "The first issue of Halcyon showed promise and potential but seemed more like a teaser issue than a first issue meant to hook you. The second issue steps up to fill that role in a more satisfying way, though not perfectly. Picking up a month after the first issue, the world is now free of crime and major aggression, leaving superheroes in an interesting and unexpected position. The approach to the series is a smart one, but the characters still lack the necessary depth for us to care about them."

You can read the rest HERE!

Wednesday, December 08, 2010

CBR Review: Thor #618

I recently reviewed Thor #618 for CBR and, in the process, wrote the following sentences: "Matt Fraction and Pasqual Ferry’s tenure on Thor so far has been a slow burn of varying success. This issue continues the slow, spacious pacing that’s characterized the series so far with more success. Maybe it’s growing more accustomed to the style and pace of the series, maybe it’s Fraction and Ferry becoming more adept at executing it, but this issue is an improvement over what’s come before while still maintaining its relaxed rhythm and expansive two-page spreads. Part of the success is that the build-up to the Asgardians’ confrontation with the World Eaters finally feels like it’s building to that confrontation as refugees of the Nine Realms arrive on Earth with news of what’s coming."

You can read the rest HERE!

Sketch Reviews (December 8 2010)

A pretty regular week for me. I did pick up another half-priced Marvel collection at my shop as they had a whole new selection. Was tempted by Marvel Boy, but since no one has ever told me if they corrected the double-page layout printing problems from the trade, I didn't want to chance it. Instead, I got Astonishing X-Men: Ghost Box in hardcover. Haven't read it yet (though I do have the first issue or two, so I have read part of it) but I will say that I'm a little annoyed at how the actual issues of the Ghost Box mini-series had the scripts in the back and this hardcover has zero bonus features. Would it have killed Marvel to include the scripts that were in the singles? Not a big problem or anything, but still irks me. Especially after the last trade I got, Man without Fear had such fantastic bonus material from Miller's scripts/plots, sketches, a Marvel Age article... Ah well. On to comics!

New Avengers #7: A very fun and entertaining issue. Bendis does a good job giving us a breather and focusing on the team getting settled. Luke's weird 'morals' being trashed by everyone was good. Spider-Man freaking out about Victoria Hand was another good scene -- and that he can't get paid (think about it: TWO Avengers paycheques Peter Parker isn't getting...) is a nice touch. The babysitter search was a great mix of one-liners, obscure characters, and Stuart Immonen nailing every single fucking panel. The final page was funny, too. This felt like the capstone to a lot of Bendis's work so far in a few ways. I loved it. [****1/2]

What If? Wolverine: Father #1: Unlike past years when I didn't have the money, this year, I'm buying every What If? issue. I love the book, but have been choosey in the past (I think last year's batch mostly got read in .pdf form... when Marvel still gave reviewers .pdfs). I didn't like last week's issue and this one is an improvement, but still left me cold. The ending is that dark What If? sort of ending that's always good, though. Greg Tocchini's art leaves me with much more mixed feelings. It's both appealing and not. Rough yet fluid. The sort of art that you don't love or hate right away -- you don't know why it compels you but it does. The back-up strip had the odd joke or two that landed, but most didn't. [**1/2]

Later

Thursday, December 02, 2010

CBR Review: Supergod #5

I recently reviewed Supergod #5 for CBR and, in the process, wrote the following sentences: "It’s difficult to think about Supergod #5 completely on its own, divorced from the four issues that preceded it. The conclusion of the story -- one long monologue delivered by Simon Reddin, a British scientist who worked on their post-human program -- relies so much on following through with ideas set up previously. With all of the post-human creations loose and converging in India where Krishna has remade India, 90% of its population is killed in order to save the country, and that leads to the apocalyptic scenario we’ve seen in the background of Reddin’s communications. More than that, the point is to see how Ellis’s conception of these post-human creations plays out. What insights into their thinking are we given and what does that mean for superhero comics?"

You can read the rest HERE!

CBR Review: Bring the Thunder #1

I recently reviewed Bring the Thunder #1 for CBR and, in the process, wrote the following sentences: "This week, Dynamite launches something of an anomaly in comics: an original concept Alex Ross-overseen comic. Ross is usually known for delivering his unique take on existing characters at Marvel, DC, and, recently, with Project: Superpowers and its updating of public domain Golden Age heroes. Bring the Thunder is a new concept by Ross with Jai Nitz co-plotting and handling the scripting duties. Surprisingly, it doesn’t read like your stereotypical ‘Alex Ross superhero comic,’ which is either a good or bad thing depending on your opinion of Ross’s work usually. This debut issue is an interesting beginning, but a little too vague in its presentation of the central concept to act as a proper introduction."

You can read the rest HERE!

CBR Review: What If? Iron Man: Demon in an Armor #1

I recently reviewed What If? Iron Man: Demon in an Armor #1 for CBR and, in the process, wrote the following sentences: "December has arrived, which means we’re treated to another month of What If? comics from Marvel, beginning with Iron Man: Demon in an Armor #1, which asks the question 'What if Tony Stark had become Doctor Doom?' It’s a shame that David Michelinie and Bob Layton take just about the dullest route possible in exploring that question, delivering a story that never goes anywhere interesting. To read an issue of What If? that is so unimaginative always stings, because this a comic where you can literally have the characters be anything and the writers choose to do the most basic of role reversals with a humdrum confrontation at the end that means nothing."

You can read the rest HERE!

Wednesday, December 01, 2010

CBR Review: Wolverine: The Best There Is #1

I recently reviewed Wolverine: The Best There Is #1 for CBR and, in the process, wrote the following sentences: "The cover to Wolverine: The Best There Is #1 has a big warning: 'Parental Advisory! Not for kids!' with ‘not’ underlined. An early preview for this issue has almost two pages completely censored for being ‘too violent.’ And, yet, there’s something desperate and sad about the attempts to convince people that this Wolverine title is ‘extreme’ and ‘disturbing’ when so many measures are taken inside to keep it tame enough, because, obviously, a Wolverine comic can’t be too ‘mature.’ I mean, they even censor the word ‘ass.’ How ‘unsuitable’ can a comic that censors the word ‘ass’ be?"

You can read the rest HERE!

Sketch Reviews (December 1 2010)

A rather small week all things considered. Bought seven comics, reviewing four of them. By the way, Dreadstar December has begun with a couple of posts and I've also put up another edition of Guess the Real Spoiler! So, um, yeah, Comics Should be Good is where the action is these days, apparently. Since I've got books a day before most of you, I'll keep things vague and short...

The Boys #49: Huh, didn't except to see any of what went down with the Boys and the Seven years ago until next issue. As well, the High is batshit insane. Really looking forward to next month's issue fifty. And Russ Braun? Anyone who still bitches about Darick Robertson not being the book isn't looking at this art. It's not as good, I'll admit, but it's a very close second. He's adapted his style to suit the book so well. Remarkable work. [****]

RASL #9: I'll be honest with you, I don't really remember what happened last issue. Or the issue before that. Great expansive, open art, though. I should really do a reread. [***1/2]

Thor: For Asgard #5: Huh. Not what I expected really. Not sure how I feel about this. I do like how Rodi continues to advance the idea of fate and how it works for the Aesir. Bianchi is still humming along nicely. The final page has two panels that kind of made me cringe, but that's it. Curious to see how this ends -- and if it can stick the landing. [***1/2]

Later.

Monday, November 29, 2010

CBR Review: Secret Avengers #7

I recently reviewed Secret Avengers #7 for CBR and, in the process, wrote the following sentences: "The strongest part of the comic is Steve Rogers. It's no surprise that, of all the characters in the title, Brubaker has the best handle on Rogers after his run on Captain America, but that doesn't make his ability to write the character any less impressive. In one scene, the entire plan goes bad for the group and Rogers' response is basically "Okay, I have a back-up plan. Let's go with that." No pausing to complain or whine, Rogers just moves forward, either with a back-up plan or with a new one created on the fly. In another scene, Rogers shows an acute understanding of his image, using it to intimidate a Shadow Council grunt that they captured. It's a scene that shows off Rogers' edge well, reminding us that he isn't the neat and clean boy scout that some portray him as, but he also has lines he won't cross."

You can read the rest HERE!

Saturday, November 27, 2010

The Splash Page Podcast Special Guest Episode 2

This week, Tim is off enjoying Thanksgiving festivities with his family, so my fellow Comics Should be Good blogger Greg Burgas fills in for him. And, hopefully, next week, Greg should be filling in for me as well. In this special episode, Greg and I discuss: loving characters blindly and maybe a little too much, the comments left on blogs and writing for Comics Should be Good, CLiNT, Image Comics, Batwoman #0, Detective Comics #871, mystery comics, Astonishing Thor #1, young/new writers, Scalped #43, Secret Warriors #22, Thor the Mighty Avenger #6, cancelled comics, Dreadstar, and specific creators' work/characters. And, as always, it begins with "We're Hardcore" by Gord Downie.

You can download and listen to the Splash Page Podcast special guest episode 2 HERE!

Thursday, November 25, 2010

CBR Review: Thunderstrike #1

I recently reviewed Thunderstrike #1 for CBR and, in the process, wrote the following sentences: "Thunderstrike was a 24-issue series that lasted from 1993 to 1995, starring Eric Masterson, the human architect that was once Thor, as a ‘street level’ Thor hero, named after the mace that grants him power. At the end of his series, he died, sacrificing himself to stop the curse of Bloodaxe, leaving behind a son, Kevin. The new five-issue mini-series picks up years later in contemporary Marvel continuity with Kevin a teenage bully and thug, full of rage, especially when it comes to superheroes. When his father’s mace is found by Steve Rogers, Kevin has to deal with his father’s world again in an unexpected way."

You can read the rest HERE!

Wednesday, November 24, 2010

CBR Review: Astonishing Thor #1

I recently reviewed Astonishing Thor #1 for CBR and, in the process, wrote the following sentences: "Meant to be strong continuity-light minis, Marvel’s ‘Astonishing’ line adds another book this week with Astonishing Thor #1, an issue that doesn’t have much of anything ‘astonishing’ about it. Instead there’s a hint of a plot, a hint of some characterization, some of the worst over-the-top faux-lofty Asgardian dialogue published since the late ‘60s, and art that tries to mimic the look of painted fantasy art in every way including painfully static pictures (in a sequential narrative) and excluding using actual paints. No, the only astonishing thing about this comic is that it got made."

You can read the rest HERE!

Sketch Reviews (November 24 2010)

Impressions, first thoughts, whatever...

Batman: Odyssey #5: Okay, what the hell did I just read? I have never been as confused reading a comic before as I was reading this one. And, when I stop to think about it, it actually seems fairly simple, just told in the most insane, baffling way possible. That said, the art is fun and the idea that someone has been using Batman and crazy criminals to keep Bruce Wayne occupied and away from doing good... that's a fantastic idea. [**3/4]

Batwoman #0: A nice teaser for the series. JH Williams art is always worth seeing, though I'm not sold on Amy Reeder as the other artist on the book. She's competent, but nowhere in the same league. The way she draws people and hair reminds me of Howard Porter's art. We'll have to see if the writing of the series is enough to keep me on board for her issues. [***1/2]

Captain America #612: Butch Guice brought his a-game to this issue. Very energetic, dark art that provided mood and some cool action scenes. Brubaker's writing is back in top form, too. This seems like the arc that reminds everyone just how great this book can be. [****]

Scalped #43: The two Jasons deliver a strong done-in-one story about Sheriff Karnow. A sad little man that makes himself feel big by talking a big game and lying like crazy. Where he fits into the larger picture is still somewhat vague (if he does at all). LaTour's art is great. Thick lines, cartoony style that boils every image down to its essence. Very energetic. Great issue. [****1/4]

Secret Warriors #22: Nick Fury is a cold-blooded motherfucker. And damned if JT didn't deserve it. Alex was right way back when. "Night" moved the plot along quickly with nothing the same now as it was before the story began. I really enjoyed the little coda at the end. And Vitti with IFS on art? This how this comic is supposed to look. [***3/4]

Thor the Mighty Avenger #6: Finally, the payoff of Thor and Jane with a really great showdown between Thor and Heimdall. I like the different look of Heimdall here and that Chris Samnee didn't feel beholden to the standard version of the character. More than any issue, this one showed just how immature and in need of humility Thor is. Hopefully, from here, he begins to learn it... for two issues. [****]

Ultimate Comics Avengers 3 #4: Okay, the opening sequence amused me. The revelation of the vampire in the Iron Man suit was... well, kind of dull, but his fight with Nerd Hulk was fantastic. I still never want to see anyone ink Steve Dillon whose name isn't Steve Dillon, though. Also, dug the bickering between the Stark brothers. An entertaining issue. [***1/4]

Later.

CBR Review: Detective Comics #871

I recently reviewed Detective Comics #871 for CBR and, in the process, wrote the following sentences: "While there is a mystery that’s investigated here surrounding a child that got his hands on the serum that transformed Killer Croc, that mystery allows Snyder to establish the relationship between Commissioner Gordon and Dick, both as Batman and as one of the sons of Bruce Wayne. Dick doesn’t feel at home yet in the penthouse, stepping into the role that Bruce once fulfilled. Even with Bruce’s return and approval, it doesn’t feel right yet, and that’s an interesting approach to the character. The difference between Dick in and out of the cowl is stark. When he’s actually Batman, you wouldn’t know that he doesn’t feel comfortable, Snyder telling us more about the character and how seriously he takes his job."

You can read the rest HERE!

Tuesday, November 23, 2010

CBR Review: Zatanna #7

I recently reviewed Zatanna #7 for CBR and, in the process, wrote the following sentences: "Not the solicited issue about Zatanna and a ‘sinister puppet master’ by Paul Dini and Jesus Saiz, Zatanna #7 has Adam Beechen and Chad Hardin instead delivering a story about Zatanna in Los Angeles for the opening of a museum dedicated to the magicians of the DCU. The story is rooted in Zatanna’s family and comes out of her feelings, but doesn’t provide any significant insight or compelling threat to overcome. It’s a pleasant, innocuous issue with expressive, clean artwork. Not too good, not too bad, a solid one-off issue."

You can read the rest HERE!

Monday, November 22, 2010

CBR Review: Hellboy: Double Feature of Evil #1

I recently reviewed Hellboy: Double Feature of Evil #1 for CBR and, in the process, wrote the following sentences: "The lead story has Hellboy investigating a house that makes its owner kill people. The pacing is slow and meticulous, allowing for Corben’s art to raise the tension. It’s a story of mood, contrasting the seeming normalcy of the owner with the absurdity of his problem. Corben is very good at making ‘normal’ people look creepy or abnormal. The shift is shown on a page and handled through some fantastic body language. Of course, he turns on Hellboy, but how different he is visually before and after is fantastic. It’s as if being in the house really does change the man."

You can read the rest HERE!

Saturday, November 20, 2010

The Splash Page Podcast Episode 37

In this week's episode, Tim and I don't discuss a lot of topics, but we do talk about them all for a while. We discuss: superhero movies and TV shows, Thor the Mighty Avenger's cancellation, feuding with creators, Batman: The Return #1 & Batman, Inc. #1, Avengers #7, and Deadpool MAX #2. And it all begins with "We're Hardcore" by Gord Downie.

You can download and listen to the Splash Page Podcast episode 37 HERE!

Friday, November 19, 2010

Hellblazer: Joyride, The Laughing Magician, and The Roots of Coincidence

[Back in July, I did a blogathon on Hellblazer for charity. I focused on the complete stories/runs I had at the time. As part of that, I plan, whenever I finish a run or storyarc of the title, I will write about it and add it to that archive. This week, I got the final trade of Andy Diggle's tenure on the title and want to discuss it. So, enjoy, and, if you feel inclined, give some money to the Comic Book Legal Defense Fund.]

I don't know if Andy Diggle's run was planned to be this short. Denise Mina was clearly on board for a couple of arcs, but, besides her, Diggle's run is the shortest of any regular ongoing writer on the series except for Warren Ellis and we all know what what happened there. Diggle only wrote 18 issues with an odd two-issue fill-in by Jason Aaron and Sean Murphy before his final three issues. I haven't heard any rumours of behind-the-scenes tensions and Diggle's run does contain a complete story, so maybe this is all he intended and the two-issue departure was there to give Leonardo Manco time to finish the final issues of what turned out to be his time on the book as well. Like Marcelo Frusin before him, Manco lasted quite a long time on the title, working with three different writers on their runs. He drew 15 of Diggle's issues.

My not getting The Roots of Coincidence until now isn't a qualitative judgment of Diggle's run, it's a fact of being unemployed until recently. That said, I wasn't too impressed with the first two trades of Diggle's run when I first read them. I enjoyed them more this time, but I think they're helped by showing a complete story. And, you'll note that I say 'more,' not 'completely.' This is a very problematic run.


The first trade, Joyride starts off well with a pair of two-issue stories. In the first, John is tied to a dock leg and will die when the tide comes in. In the second, he returns to Ravenscar to deal with his lingering insanity and issues. The high concept of the first story is good. John in a position where he needs to get himself out or else die. It's all a set-up to get back at the mobster who killed the daughter of the imprisoned boss... and he kills himself at the beginning of the second issue, John still tied up. However, even with that strong premise, the follow through doesn't rise above novel. It's a pretty typical 'more than meets the eye' John Constantine story without much to it. The only part that was genuinely surprising was the crook killing himself when confronted with the ghosts of those he'd killed there before.

The second story, "Wheels of Chance, Systems of Control," (which I had to look up on Wikipedia because this is one of those trades that doesn't tell you the titles of the stories... thank you, Bob Harras) suffers from a similar problem. John returns to Ravenscar to help clear his head and deal with old issues so he can be his 'old self' again after his little rant at the end of Mike Carey's run and the spot of trouble in Denise Mina's. Mina put John on a 'case' (as it were), but didn't return him to his old role. Here, he sees that that's what he should do. He's at the old asylum to find that bit of insanity and psychic scarring and remove it. Again, good idea... but also a misleading one, because no matter what, John Constantine is John Constantine is John Constantine. You can pretend you're doing something new or changing the character, but it's not happening. He's like every other franchise character in comics: he always returns to that level place that everyone knows. Not anything wrong with that, but it is amusing to watch writers try to change him. Sometimes, it works. Carey's run ended strongly with Constantine in a different place; but, I also read that as Carey knowing that the character would return to form sooner rather than later and he wanted to end his run as if it were the end of the book/character.

Diggle doesn't do that really -- but he tries at the end and it doesn't work. In the second story of Joyride, he wins ownership of Ravenscar, now a casino/hotel that no one visits because it used to be a mental hospital, and casts his insanity out of himself before throwing it off a cliff. The execution is somewhat muted. Part of the problem is that I'm not sure Diggle ever finds the right tone/voice for the book. Everything about this story feels easy. Too easy. And, while John is skilled, it shouldn't be so easy. Winning Ravenscar by cheating at roulette? Sure, that's no problem; but, the confronting his insanity and killing it should be more difficult. Any hint of difficulty comes off as there for show, not an actual difficulty or hurdle to jump over. It's a big deal presented as a minor problem.

From there, the run launches into the overarching story, a mixing of two by the end. In one, a British Lord has created a community of people who put their souls in the bodies of others to get revenge and, generally, be horrible people. In the other, a very bad guy by the name of Mako is seeking the Laughing Magician because... he wants to kill and eat him, I guess? That's never really explained; it doesn't matter. The Lord ultimately wants to create a lavish soul container as a way to cheat death -- instead of placing his soul inside of an object with empty 'white' space, he wants a fake after life created. Mako is a war mage that draws his power from death and violence, and also eats the souls of magicians to learn their secrets and gain their power. Ultimately, the British Lord will help Mako get more power and find the Laughing Magician if Mako creates the soul container. And John wants to take them both down. He's not the Laughing Magician, his dead twin brother was going to be, but that doesn't stop Mako from thinking it's him.

Neither turns out to be much of a threat, neutralised without too much effort by John. It's actually surprising how easily they're taken out. Mako especially is built up as a monster and he's done in relatively short order. Again, it feels too easy. That's the pattern of this run: threats never deliver. In the end, John wins and it doesn't cost him anything, including effort.

The final issue has him facing off against the soul of his dead twin and it's a problematic issue. For one thing, Diggle puts forth the idea that most of John's problems are the result of his twin trying to weaken John enough for their souls to merge because, the first time they tried, John's ego didn't let it happen. Every time John has fallen into despair or a hole or anything, it was, at least partly, because of his twin's soul dragging him down, hoping to make him weak enough to join with. Even his cancer is laid at the feet of his twin's soul. Wow, what a way to actually fuck with the character in a harmful manner. It is a big revelation that changes everything that came before -- in a bad way. It takes so much away from the character faults of John, his weaknesses. It's literally someone else's fault that he can't pull it together! What a fucking cop out that is. This is the sort of retcon/explanation that you wouldn't blame anyone for ignoring.

There's some amusement in the so-called magic messiah doing such horrible things and John finding someone else in a position of 'authority' and 'I know better than you' to tell to fuck off, seemingly damning the world in the process, but it doesn't hold up against the damage done to what came before. The reason why John was such a fuck-up is because he's a fuck-up! That's the point! John Constantine is a character with the best and worst of humanity in him, and to lay any of that on something or someone else is a bad decision to make as a writer. It's one of those 'clever ideas' that you discard because it leaves things worse off than when you arrived.

But, that's what I think.

Besides that, there are some nice moments in the run. The two-part "The Mortification of the Flesh," drawn by Giuseppe Camuncoli, where John plays a big scam on a Vatican priest, is a very good Hellblazer story. It's a con and an effective one with some genuinely clever ideas and a great ending. I think it's the best story in the entire run and stacks up against the work of other writers in a way the rest doesn't.

Leonardo Manco's art is strong. It's weird to think of him as a 'definitive' Hellblazer artist, but he drew (or partly drew) 42 issues of the series plus the All His Engines graphic novel. The next closest artists by issues drawn (or partially drawn) are Sean Phillips with 41 and Marcelo Frusin with 39. As far as I know (and Wikipedia tells me; though they do have a mistake listing Manco as drawing #251...), Manco has drawn more Hellblazer comics than anyone. And, yet, does anyone see him as the John Constantine artist? Probably not.

Why?

That's a question that I don't know the answer to. Perhaps, it's because he's drawn three runs that people don't love by working with Mike Carey, Denise Mina, and Andy Diggle. Out of the three, Carey's is the only one I've ever heard good things said about and, even then, that's only by half the people who read it. The other half seem to hate it. Perhaps, it's because he came to the book and the character too late. John Constantine was already defined by other artists. It's rare for an artist to come on a book this late and define it, especially a book with numerous strong, 'definitive' artists before him. It's weird. Because, honestly, I wouldn't rank Manco among my favourite Hellblazer artists. I didn't back in July. No one in the comments section does. Really, why? (I may have to return to this question...)

All in all, Diggle's tenure on the book falls near the bottom for me. Ahead of Mina's run, but still unfulfilling. The threats never pay off and the final issue just pisses me off. Diggle never gets the tone right either. His John never feels authentic, like he's in Diggle's control. If anything, it seems like Diggle is trying too hard to write a cool Hellblazer story that could stand among the best instead of something that comes from the heart, a story he genuinely wants to tell. I'm probably wrong, because ascribing motives to a writer is never a good idea -- but, that's what it comes off as. A big fan trying to fit in with those that came before and never getting comfortable enough to do so.

Thursday, November 18, 2010

CBR Review: The Traveler #1

I recently reviewed The Traveler #1 for CBR and, in the process, wrote the following sentences: "The second of the Stan Lee overseen superhero comics from BOOM! hits the shelves this upcoming Wednesday and is more action-packed and mysterious than Soldier Zero. The concept of The Traveler isn’t as easy to grasp immediately, because Mark Waid throws us into the deep end, having the hero fight against his enemies without much of an explanation. It’s a novel approach and one that grabs you right away, driving the issue forward, but also not leaving much of an impression. Without context, the action lacks meaning and a point beyond ‘hero stops bad guys for reasons we don’t know yet.’ Even lacking that context, Waid and Chad Hardin make the debut of The Traveler a dynamic read with enough teases and clues to entice the reader back for another look."

You can read the rest HERE!

CBR Review: Deadpool MAX #2

I recently reviewed Deadpool MAX #2 for CBR and, in the process, wrote the following sentences: "You probably won’t like this comic. It’s crude, lewd, childish, stupid, over-the-top, ugly, and pretty damn funny. It’s one of those ‘mature readers’ comics that uses the lack of restrictions to throw in lots of swearing and violence and sexual content without anything coming close to real mature ideas. But, it fits the character. Deadpool is all about the insanely dumb and why should Deadpool MAX be any different? David Lapham and Kyle Baker take the Deadpool we all know and love and simply throw on a coat of f-bombs and a plot that’s barely appropriate for anyone. The result is a lot of fun; the sort you’re a little ashamed to admit to."

You can read the rest HERE!

CBR Review: Soldier Zero #2

I recently reviewed Soldier Zero #2 for CBR and, in the process, wrote the following sentences: "There’s a familiarity in the concept of Solider Zero if you’ve read the first issue only: alien suit/weapon bonds itself to human, granting him powers of some kind. Not an uncommon premise, but this issue works to bring out what makes this story different. Part of that is how the suit changes the paralyzed Trautmann’s life, while a large part is the nature of the suit and what it wants. For one thing, the suit is a sentient being, a parasite/symbiote that requires a host to live and, with its host dead, attached itself to Trautmann. It can grant him extra abilities, but it’s also weakened from what it’s endured, making it an easier target for its enemies. Part of a war, the suit and its previous host were the only survivors of a battle that may have come to Earth."

You can read the rest HERE!

Wednesday, November 17, 2010

CBR Review: Batman: The Return #1

I recently reviewed Batman: The Return #1 for CBR and, in the process, wrote the following sentences: "Though Bruce Wayne returned last week, this one-shot by Grant Morrison and David Finch marks the return of Batman to full-time crimefighting as Wayne goes forward with his plans for Batman Incorporated. While the idea of a franchised Batman empire -- a war on crime on a global scale -- is new to the character, his focus and drive are the same as they've always been. Morrison makes it clear that Batman is thinking bigger, but the thought is essentially the same one he’s had all of these years. As the beginning of this new take on the character and the Bat-Family, The Return is a great beginning, full of energy, enthusiasm, and clues for what’s coming next."

You can read the rest HERE!

Sketch Reviews (November 17 2010)

As always, brief, 'reviews' that are more first impressions and quick thoughts. Something to get the brain going a little.

Avengers #7: A somewhat weaker start to this storyline. The stuff with the Hood was solid and I liked the way he went about getting the second Infinity Gem. That said, this felt like a light read. I do love the visual gag of the Hood punching out the Red Hulk. [***1/4]

Batman, Inc. #1: A very entertaining read. Follows up on some ideas introduced in Batman: The Return nicely. Kind of reminds me Morrison's DC work before he took over Batman. The JLA Classified arc and some of the Seven Soldiers stuff. Yanick Paquette and Michel Lacombe on art? Damn good stuff. This was exactly what I hoped it would be. [****1/2]

The Boys: Highland Laddie #2: Not sure what to make of the final page, but the origin of Annie was interesting. McCrea can't sell some of the ideas well enough, though, I find. The cover does a much better job of the pageants, for example. Still, this is a pretty solid mini. [***]

Osborn #1: Wow, that Norah woman is annoying as hell. Is she normally written like that? 'Cute' and 'charming,' but really just obnoxious and overbearing? Some interesting ideas in this issue; the stuff at the end with this being part of a plan made me roll my eyes a little. The Ellis/McKelvie back-up strip was different from expected. Rios's art is a little hit or miss at times. Very expressive and energetic; but those same positives sometimes lead to rougher, not as polished work. Not sure if I'll get the next issue yet. Probably, but we'll see... [***1/4]

The X-Files/30 Days of Night #5: This issue lost me. I don't know how or why, but I just stopped caring part of the way through. But, as I've said before, I'm buying this series for Michelle, so my enjoyment is a secondary concern. [**]

Later

Monday, November 15, 2010

CBR Review: Ultimate Comics Thor #2

I recently reviewed Ultimate Comics Thor #2 for CBR and, in the process, wrote the following sentences: "For the second issue of Ultimate Comics Thor, Jonathan Hickman turns his attention away from the eponymous Thunder God and towards his adopted brother, Loki. The entire issue isn’t devoted to the self-proclaimed Lord of Chaos, but it feels that way with his scenes standing out above Thor’s. He makes for an interesting contrast and complement to Thor’s simple character, showing paradoxical motivations and a contrarian streak. It’s hard to tell what Loki will do next in this issue, making every time he’s on panel an unexpected treat."

You can read the rest HERE!

Sunday, November 14, 2010

CBR Review: Thor: For Asgard #4

I recently reviewed Thor: For Asgard #4 for CBR and, in the process, wrote the following sentences: "The fourth issue of a six-issue mini-series is often a problematic issue. The premise of the series has already been explained in the previous issues, while the conclusion lies ahead. Sometimes, that means the fourth issue raises the stakes and piles more challenges upon the protagonists, driving the story forward. Robert Rodi tries to do that here with Thor's trip to Valhalla that goes wrong, but it feels like more of the same. So far, Thor: For Asgard has had three issues of 'things aren't right in Asgard and the natural order of things,' and nothing changes. That idea continues, but doesn't become more urgent or compelling. It's a flat line that isn't nearly as effective as it was for the first three issues."

You can read the rest HERE!

Saturday, November 13, 2010

The Splash Page Podcast Episode 36

In this week's episode, Tim and I discuss: J. Michael Straczynski news, Doc Savage #8 and the controversy it has started, critical writing, Thor #617 & T.H.U.N.D.E.R. Agents #1, Tim explains the history of T.H.U.N.D.E.R. Agents, Knight and Squire #2, sitcoms and other TV/movie talk, other podcasts, and The Art of Jim Starlin. Plus, it all begins with "We're Hardcore" by Gord Downie.

You can download and listen to the Splash Page Podcast episode 36 HERE!

Friday, November 12, 2010

CBR Review: Halcyon #1

I recently reviewed Halcyon #1 for CBR and, in the process, wrote the following sentences: "The first issue of Halcyon introduces the heroes and villain of the book as well as the situation: crime has been decreasing, slowly at first, but, now, at an exponential rate. The heroes of Halcyon don’t know how or why, and also if they should even care. It’s a strong hook, but it takes the entire issue to get there. Watching the hook of the series unfold over the issue is a waste, since there doesn’t seem to be any reason to not dive right in and proceed from page one with crime having disappeared. The heroes cluing into this phenomena and discussing it is, quite frankly, boring and doesn’t work spread out over 22 pages. The character work done isn’t so exceptional and crucial that it carries the issue either. Most characters are introduced by name and a one-sentence description."

You can read the rest HERE!

Thursday, November 11, 2010

CBR Review: Knight and Squire #2

I recently reviewed Knight and Squire #2 for CBR and, in the process, wrote the following sentences: "I loved Captain Britain and MI:13 for the way it established the role of the British superhero within the Marvel Universe while also telling highly entertaining and compelling stories. In Knight and Squire, Paul Cornell tries to do the same thing for the England of the DC Universe, except the ‘entertaining’ and ‘compelling’ are missing. Reading the second issue of Knight and Squire, it begins with some clever character work before falling into a dull, plodding plot that, like the first issue, seems to be lacking in any point besides to yell out that, yes, this comic takes place in England and isn’t it a little different?"

You can read the rest HERE!

CBR Review: Batman: The Return of Bruce Wayne #6

I recently reviewed Batman: The Return of Bruce Wayne #6 for CBR and, in the process, wrote the following sentences: "Okay, so Bruce Wayne has already returned in Batman and Robin and the Road Home one-shots, but everyone knew it would happen. That it happened isn’t nearly as important as how, and the finale to The Return of Bruce Wayne is one hell of a how. Concluding both the mini-series and the story of Batman’s encounter with Darkseid in Final Crisis, this issue shows the character at his best as he matches wits with a god in an effort to save the world from himself while also returning to his life. Things happen quickly and Morrison doesn’t explain too much as he goes, but the attentive and active reader will be rewarded with a smart, engaging comic."

You can read the rest HERE!

Wednesday, November 10, 2010

CBR Review: T.H.U.N.D.E.R. Agents #1

I recently reviewed T.H.U.N.D.E.R. Agents #1 for CBR and, in the process, wrote the following sentences: "The concept of the book isn’t spelled out immediately. Instead of hooking us with that, Spencer and CAFU charge on ahead, delivering action and intrigue. The concept of a superhero team working for the United Nations, handling problems that others heroes wouldn’t, remains, but the duo update it to create a hybrid of superhero and spy action as the group tries to rescue one of their own that’s been taken captive by Spider, a terrorist organization. With two members in the field, the rescue attempt goes sour after the undercover agent they send out turns out to not be what he seems, leaving T.H.U.N.D.E.R. in a bit of a pickle."

You can read the rest HERE!

Sketch Reviews (November 10 2010)

Big week for me this week with 13 comics, six of which I'm reviewing for CBR. So, let's not waste time with chit-chat...

Avengers Prime #4: Hey, this book is still coming out! This issue gets bogged down in long-winded speeches to a degree. Every time Thor or Hela is on-panel, get ready for lots of bombast that becomes tiresome quickly. Unlike previous issues, this one felt empty, like nothing actually happened. I was really digging this series when it began and, now, I'm fine with it ending two months from now. But, Alan Davis/Mark Farmer art? Always worthwhile. [**3/4]

Doc Savage #8: I'm beginning to think that the opening scene of Doc Savage #6 was the high point of this storyarc. Not a bad issue or anything, it's just lacking the tension and boldness of that opening scene. Nic Klein already needs help on the art as well. I do think this will probably read better as a whole. I'm going to miss the "Justice, Inc." back-up after it ends next month, though. Definitely worth the extra buck. [***1/4]

glamourpuss #16: I didn't read this yet. I haven't read the past four or five issues of this series. I want to save up a lot of issues to get a better sense of what Sim is talking about. Reading it issue by issue every two months doesn't seem to work in favour of what Sim is doing. Can't remember if I said this already, so I wanted to mention it. [N/A]

New Avengers #6: The final page of this comic was awesome. I want every big story to end with Hellstrom telling off a crowd of people. Great visuals from Immonen, but the fight between Super-Wolverine and Agamotto wasn't as big and exciting as I'd have liked. Not sure about the death that we get either... what was the point of that? [***1/2]

Thanos Imperative #6: The twist on the final page of last issue was actually surprising, but the end result wasn't too hard to see coming. By trying to kill Thanos, Lord Mar-Vell allows Death into his universe. That was a pretty easy solution to the Cancerverse, but the stuff that came after was very surprising and explains why the two cosmic ongoing titles aren't coming back. This series has been very enjoyable and got me back on board with Marvel's cosmic stuff completely. Curious to see what DnA have in mind for the future. [***3/4]

Thor #617: I wanted this. When the idea of someone replacing JMS on Thor was raised, I always said I wanted Matt Fraction. Boy was I fucking wrong. Despite what Tim tried to say about last issue, this doesn't feel epic or musical, this is just plain boring. I'm now debating how long to bother with this book before dropping it. Thor is one of my few 'buy because I'm a fan' books and I don't want to keep buying it just because, but... I gave JMS six issues when the first couple didn't wow me back when he began and Fraction gets the same. Three more before I decide yay or nay. [*3/4]

The Unwritten #19: Of all the books to focus on now, Moby-Dick? I read that in my fourth year of undergrad in a weekend before my American Lit exam, because it was the only work from the course guaranteed to be on the exam and we had to use it as a topic in one of the essays. It's not a bad book, obviously, just dull and not where I'd go if I had all of literature to choose from. Still, a pretty good issue. Like the short chapters/chapter headings -- they tie into Moby-Dick well. Also like Vince Locke's finishes on a few pages. I love how this book will embrace different art styles while keeping Peter Gross as the layout artist, so things are different with the same foundation. [***1/2]

Later

Tuesday, November 09, 2010

CBR Review: The Art of Jim Starlin: A Life in Words and Pictures

I recently reviewed The Art of Jim Starlin: A Life in Words and Pictures for CBR and, in the process, wrote the following sentences: "Dreadstar #2 is cover dated January 1983 and I was born at the end of that month. Jim Starlin made some of his most well known and well regarded comics before I was even born, but my dad read comics, so I grew up with them. I flipped through and studied his Dreadstar run so much that, when I recently sat down to read it all, it was like stepping into a half-forgotten memory, a mess of jumbled images out of order but nonetheless familiar. When it comes to comics, Starlin’s name is one that will always be one of the first I think of and, now, IDW has published a fantastic book showcasing his 40-year career through his art and through commentary that he provides. All of the well-known high points are represented, but so too are the forgotten or rare projects and pieces of art. It’s an art book that also serves as a brief autobiography and it’s a must read for Starlin fans. Hell, it’s a must read for comics fans."

You can read the rest HERE!

CBR Review: Scarlet #3

I recently reviewed Scarlet #3 for CBR and, in the process, wrote the following sentences: "Three issues in, Scarlet finds itself walking a fine line between compelling tale of resistance and unintentional bad joke. The eponymous lead continues her quest to fight against corruption, but comes close to becoming a caricature, someone to roll your eyes at and dismiss instead of someone to relate to and root for. Part of the problem lies in the storytelling and convenient shortcuts taken in the name of expediency. Last issue, it was an awkward and forced conversation between Scarlet and a corrupt police officer’s former partner. Here, it’s the participation of her dead boyfriend’s best friend. The ideas behind the series are intriguing, but the execution doesn’t do them justice always."

You can read the rest HERE!

Monday, November 08, 2010

CBR Review: Sweet Tooth #15

I recently reviewed Sweet Tooth #15 for CBR and, in the process, wrote the following sentences: "The cover for the issue is one of the best of the year. It's stark, raw, and grabs your attention instantly. While not a style that Lemire uses in the comic, it is indicative of Lemire’s approach to the art, which is to try different things, play around, try to grab the reader’s attention, and produce art that demands you look at it. The first page has Gus and his friends walking as part of their trek back to the forest and, in the background, they’re passing some rocks that, by the fourth and final panel of the page, turn out to be the title of the book and issue. It’s a visually arresting way to work the title into the issue while also not disturbing the story, as the characters ignore that it shares their landscape."

You can read the rest HERE!

Thursday, November 04, 2010

CBR Review: Warriors Three #1

I recently reviewed Warriors Three for CBR and, in the process, wrote the following sentences: "Finally, the Warriors Three get their own mini-series. Mainstay Thor supporting characters, the trio offers a healthy mix of action and light comedy, usually acting as some of the more entertaining Asgardians. This debut issue gives us some of the fun action associate with the Warriors Three, but spends far too much time setting up the plot and explaining it in detail instead of just letting it go, allowing us and the Warriors Three to play catch-up in a far more interesting manner. Less plot mechanics, more Warriors Three is what this comic called for."

You can read the rest HERE!

CBR Review: Iron Man/Thor #1

I recnetly reviewed Iron Man/Thor #1 for CBR and, in the process, wrote the following sentences: "A big sign that a book is forgettable and dull: when I come to write a review it, a mere two or three hours after reading it and I can’t remember the plot at all. I’ve read a lot of comics and, while I don’t remember them all, it’s usually a safe bet that I can remember what I read earlier today. Iron Man/Thor #1 leaves an impression of a bland superhero comic where things happen for no discernable reason, characters do nothing to distinguish themselves, and the art is cluttered and banal."

You can read the rest HERE!

Wednesday, November 03, 2010

CBR Review: Batman/Catwoman: Follow the Money #1

I recently reviewed Batman/Catwoman: Follow the Money #1 for CBR and, in the process, wrote the following sentences: "Some weeks, you don’t get to read a Batman one-shot written and drawn by Howard Chaykin. Thankfully, this week isn’t one of those. Chaykin has Batman and Catwoman team up to take down the Cavalier and an embezzlement scheme that robs Wayne Enterprises of its entire pension fund. The plot is serviceable, but what makes this 44-page comic worth it is Chaykin’s art, as he structures the book through a series of repeating layouts and dynamic, bold line work."

You can read the rest HERE!

Sketch Reviews (November 3 2010)

No work this Wednesday or any other Wednesday... except for comics work. Hell yes.

Batman and Robin #16: And it all comes to an end. Satisfying and, yet, disappointing. Finales never live up to the expectations even when they're great. I don't know what I wanted... but this wasn't it. And this was very good. The art shifts did bother me a bit, if only because I wish Frazer Irving had done the whole thing -- his style is much more in tune with the feeling of the writing, I find. Again, the Stewart and Burnham art is great, it just doesn't feel as right as the Irving stuff. The Joker/Hurt stuff made me laugh. [****1/4]

The Boys #48: A rare Dark Knight Returns parody cover that works for me. A lot of smaller moments. Not a dynamic way to begin an arc, but definitely appropriate. Butcher lying to MM about Hughie was strange. The stuff with Black Noir was just funny. [***3/4]

DV8: Gods and Monsters #8: And this just kind of ended. Not sure what I think about the ending and revelation about who was behind it all. If anything, this feels very incomplete, like it's meant to set up something else and I don't see that something else coming any time soon. There's a poetic beauty in the way the world ends, but it's all very deus ex machina for the DV8 bunch. No, I don't think I liked this ending. Not for a self-contained mini like this. [**1/2]

Gødland Døgland #33: "Embrace the real adventure!" [****]

Later.

Tuesday, November 02, 2010

CBR Review: Do Androids Dream of Electric Sheep?: Dust to Dust #6

I recently reviewed Do Androids Dream of Electric Sheep?: Dust to Dust #6 for CBR and, in the process, wrote the following sentences: "Reaching the halfway mark, the BOOM! mini-series prequel to Philip K. Dick’s Do Androids Dream of Electric Sheep? continues to impress with the way it blends bold storytelling and a daring story. Chris Roberson blends together the feeling of the novel and its film adaptation Blade Runner in the plot, while Robert Adler delivers dynamic and frenetic art. Every issue is a welcome sight and manages to be a rare case of a licensed prequel that adds to the original, while standing on its own."

You can read the rest HERE!